|BEST IN SHOW: Elaine Vollherbst - Highway 28N Long Lake|
Last weekend I had the privilege of driving up to Saranac Lake to judge the Adirondack Artists’ Guild’s 17th Annual Juried Art Competition. When I arrived, the Guild’s gallery - a pleasant, functional storefront on Main Street - was crammed with 185 entries in all media. My job was to trim these submissions to about 75 for the show, and to choose prizes to be awarded at the show’s opening reception: Best in Show (which carries with it the opportunity to have a solo exhibition at the gallery in November); 1st, 2nd, and 3rd prizes; and five Honorable Mentions. Needless to say, it was a daunting task.
|A view of the AAG gallery|
Here’s a first-person account:
Feeling a bit overwhelmed by the quantity (and overall quality) of the entries, I first sought to get my bearings. My hosts were three members of the Guild, a cooperative business whose 15 or so joint owners share the effort, expense, and rewards of such an enterprise, and they were graciously helpful throughout the process. They remained quietly alert as I worked my way around the room two or three times, occasionally answering questions I had as to certain relevant details. At this point, I had not yet begun to cut.
|FIRST PRIZE: Shawn Halpern - Blue Cedar Vessel|
The entrants were limited to three pieces each (maximum), and in many cases it was easy to tell which two or three belonged to the same artist – but not always. It also wasn’t always easy to tell the medium (and, I am embarrassed to admit, one pair of photographs had me fooled to the very end, when I was told they were not, in fact, amazingly detailed paintings). So my helpers provided clarification where needed.
The show drew a great variety of media, including most craft media (such as clay, glass, fiber and wood), jewelry, sculpture, mixed-media constructions, and two-dimensional paintings, prints, drawings, and photographs. I decided I must aim to maintain the diversity of the submissions in my final selections, as this was clearly the spirit of the show, and I delighted in keeping an open mind as to the intention of the artists.
|SECOND PRIZE: Susan Hoffer - Connecting to the Protest|
While I made judgments based on my own ideas about quality in art (including technical skill) and allowed my personal biases (or taste, if you will) to influence some decisions, I also tried to be receptive to the various styles and concepts that would motivate the artists. Slowly, I began to clarify which work was surely in and some that was surely out. Post-It notes helped streamline this process, and the helpers began to carry the work that I eliminated out of the room.
|HM: Richard Nowicki - Lake Placid Outlet|
I’m comfortable with all art media and have curated or written about all media for many years, so that was not an issue for me. However, one issue that did arise is that the Adirondacks region is very different from a city (even a small city like Albany, where I live), so I was confronted with a lot of unfamiliar rural and wilderness subject matter, including a good number of paintings, photos, and other media that depicted wildlife. To me this is a subgenre of art with its own set of rules – rules I may not be privy to – but I tried to give it the best consideration I could. After about an hour, I had picked about 40 things I knew I wanted to stay, and had cut an equal amount, leaving maybe 100 others in limbo.
|HM: Lynn Taylor - Lake Lilies|
|HM: Anastasia Osolin - Look|
|HM: Steve Auger - Winter barn|
|HM: Cris Winters - Arc of the Day|
Congratulations to all the artists who submitted work, and many thanks to the AAG for asking me to be their judge this year.
The opening reception for the Adirondack Artists’ Guild’s 17th Annual Juried Art Competition is today (March 13) from 5-7 p.m., with awards to be announced at 6; the show will hang through April 12.
|THIRD PRIZE: Phil Gallos - America the Beautiful #17|