|Eric Egas - Fippery, archival pigment on canvas|
But stereo is only part of the Egas effect. He makes variations on the classic red/blue separation, and then pushes those colors so that the overlapping images become as fascinating in themselves as they are when viewed in 3D. Egas has, over the years, increased the scale of these prints, and adopted a lush layering of pigment on canvas - in the end, they are sometimes more painting than photograph, featuring rich areas of reed, blue, green, and purple. A few images even flirt with full color rendition (while still being anaglyphs).
This turns the exhibition, with more than 50 prints, most of which are at least four feet wide, into a multi-level experience: One is encouraged to spend time viewing the images without the glasses, then with them and so on back and forth, providing transformational changes that often surprise the senses.
Some of Egas's attempts end up reaching a bit too far, to where you may not even be able to see the 3D effect, but the reach is worth a try, as the entire body of work is experimental - and experiential - in nature and intent. Overall, with this very ambitious installation that nicely stretches the boundaries of the Institute's usual emphases, Egas has successfully involved us in his unique and engaging vision.
Note: Eric Egas will have an exhibition of new work at Brill Gallery in North Adams, Mass., from Nov. 7 through the end of December, with a public reception and artist's talk from 6 pm to 8 pm on Saturday, Nov. 7.