|Christopher Cannon, Runaways on Hunt Street screenprint|
|Jeffrey Dell, Dreamland III screenprint|
Also called silkscreen, the squeegee-centric process is conducive to a great variety of applications, including the use of hand-cut templates, highly detailed photo-based matrices, and printing on fabric. It is also relatively cheap to do (requiring only well-ventilated space, a big sink, and some drying racks - no printing press needed). This leads to endless possibilities, many of which are explored in this second edition of the East Coast Screenprint Biennial (as some sources refer to it), which debuted in 2014.
Among the applications on view at the ACCR (sorry, I still haven't seen the Collar Works part of the show) are gag hair product packages, rough-cut monoprints, a fanciful stuffed-fabric landscape, and 2D work ranging from the flat and cartoonish to the photo-realistic to the elegantly abstract. The one thing it all seems to have in common is that irresistibly rich color that comes from pushing juicy ink through a fabric screen.
Kudos to Meltz and the two hosting organizations for taking on this project - I eagerly look forward to the 2018 edition.