|Rob Fischer - Pond House 2016|
photo by Bryan Zimmerman, all photos courtesy of Art Omi
A friend and I took advantage of one of this summer’s few weekend days with no rain and sub-85-degree temperatures to hit The Fields (and woods) of Art Omi and check out some of this season’s offerings. While it was still a bit muddy (and, yes, a bit buggy), we had a great time. Sort of the opposite of golf (you know – “a good walk spoiled”): This was a good walk enhanced.
Among the highlights was the new Benenson Visitors Center. A bright, airy building that clearly takes some cues from the sculptures in the Architecture Field, it also includes an interior gallery space that featured a live electronic violin improvisation just as we arrived, played in tune with a strong collection of small abstract paintings by Thomas Nozkowski (see image at bottom of this post).
|Tamar Ettun - Blue Inflatable 2015|
Once outside, we experienced a range of pieces both monumental and intimate – from current post-conceptual playfulness to stodgy (but still wonderful) geometric modernism. A lot of the work we saw makes some reference to nature, whether by depicting animals or including local plants, appropriately enough for the setting. Still, much of it was quite urban in flavor, and may have looked better among commercial edifices than among trees and meadows.
|Carl D'Alvia - Lith 2016|
And that’s part of the fun of The Fields – it is ever-changing. Art Omi is open daily year-round (except major holidays) from dawn to dusk, with free admission, friendly staff, and nice visitors, too. Also, by the way, it’s in a very beautiful corner of the world: rural Columbia County, where nearly every mile of two-lane road features ridiculously gorgeous views. Go when you can!
|Installation view of Thomas Nozkowski exhibition|
photo by Peter Mauney, courtesy of Art Omi